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In particular, and I am speaking of the Haiku Persecution Incident here, writing such poems during World War II got you imprisoned and/or tortured. Yet poems of social commentary or social criticism fit easily in the American haiku tradition. Everything from war, to feminism, to poems on the economy has been fair game. And while there are obviously editorial preferences, pretty much everything is allowed. In fact the Kishimoto poem would not be out of place in any of our standard bearers.
In a sweltering New Orleans, a wilted Southern belle collides with the dysfunctional marriage of her sweet sister and brutish brother-in-law. This is the plot of Tennessee Williams's classic play, A Streetcar Named Desire , which opened on Broadway in 1947. But the story of its making and legacy is even wilder than Stanley Kowalski's screaming.
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His literary career — leaving out the two prize poems — had begun in 1849 with the publication of The Strayed Reveller and Other Poems by A., which attracted little notice and was soon withdrawn. It contained what is perhaps Arnold's most purely poetical poem, "The Forsaken Merman." Empedocles on Etna and Other Poems (among them " Tristram and Iseult "), published in 1852, had a similar fate. In 1858 he published his tragedy of Merope, calculated, he wrote to a friend, "rather to inaugurate my Professorship with dignity than to move deeply the present race of humans," and chiefly remarkable for some experiments in unusual – and unsuccessful – metres.